The
selections below are rough sketches performed and produced crudely in an effort
to get the musical concept into a form that could be understood by others. This
music is conceived from a spiritual point of view without any commercial intent.
I think of them as little prayers for all to share in. I invite improvising
musicians who enjoy this music, to play it and record it. I would love to hear
this music performed and produced by others who have the resources and skills
beyond my own.
-
- Simple
melodic ideas wrapped in rhythmic and harmonic environments that I find
interesting. All the music was composed using a process I call 'layered
improvisation" where each part is recorded one by one while improvising
over the previous parts. Editing is limited to expanding short improvised
rhythm sequences into final arrangements prior to the melodic parts.
-
| |
|
Available
on CD from jo & joe music:
|
-
-
|
|
posted 1/1/12 |
|
|
|
full
length (hi-fi)
|
| Prayer
for Faith (3:15) |
|
mp3
|
| Prayer
for Love (2:41) |
|
mp3
|
| Prayer
for Compassion (3:51) |
|
mp3 |
| Prayer
for Forgiveness (2:01) |
|
mp3 |
| Prayer
for Tolerance (2:31) |
|
mp3 |
| Prayer
for Happiness (1:05) |
|
mp3 |
This work is licensed under a
Creative
Commons License.
Sketches Volume 1 2002 Music
concept sketches exploring new melodic, harmonic, and rhythmic relationships
thru layered improvisation. Aimed at performing jazz musicians looking for new
themes to develop and share in authorship. J
A McArdle J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches
Volume 1 2002 Music concept sketches
exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation.
Aimed at performing jazz musicians looking for new themes to develop and share
in authorship. J A McArdle
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
Sketches Volume 2
2005
Music concept sketches exploring new melodic, harmonic, and rhythmic relationships thru layered improvisation. Aimed at performing jazz musicians looking for new themes to develop and share in authorship.
J A McArdle
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